Review: The Amalgamation Waltz: Race, Performance, And The Ruses Of Memory

Title:
Review: The Amalgamation Waltz: Race, Performance, And The Ruses Of Memory
Authors:
Raimondo, Meredith
Abstract:
No abstract available.
Citation:
Raimondo, Meredith. 2010. Review of The Amalgamation Waltz: Race, Performance, And The Ruses Of Memory, by Tavia Nyong’o. Contemporary Theatre Review 20(2): 239-240.
Publisher:
Taylor & Francis
DATE ISSUED:
2010
Department:
Comparative American Studies
Type:
review
PUBLISHED VERSION:
10.1080/10486801003684290
PERMANENT LINK:
http://hdl.handle.net/11282/309915

Full metadata record

DC FieldValue Language
dc.contributor.authorRaimondo, Meredithen_US
dc.date.accessioned2013-12-23T16:20:58Zen
dc.date.available2013-12-23T16:20:58Zen
dc.date.issued2010en
dc.identifier.citationRaimondo, Meredith. 2010. Review of The Amalgamation Waltz: Race, Performance, And The Ruses Of Memory, by Tavia Nyong’o. Contemporary Theatre Review 20(2): 239-240.en_US
dc.identifier.issn1048-6801en_US
dc.identifier.urihttp://hdl.handle.net/11282/309915en
dc.description.abstractNo abstract available.en_US
dc.language.isoen_USen_US
dc.publisherTaylor & Francisen_US
dc.identifier.doi10.1080/10486801003684290en
dc.subject.departmentComparative American Studiesen_US
dc.titleReview: The Amalgamation Waltz: Race, Performance, And The Ruses Of Memoryen_US
dc.typereviewen_US
dc.identifier.journalContemporary Theatre Reviewen_US
dc.subject.keywordTheateren_US
dc.identifier.volume20en_US
dc.identifier.issue2en_US
dc.identifier.startpage239en_US
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